![]() ![]() Yes, you can use AT for that but it’s like using a sledge hammer to drive a finishing nail. Best for Wandering vocalists who need some help such as singer-songwriters who are paying more attention to the guitar or piano than their pitch. Nectar Elements’s pitch control is something I apply or don’t. Spencer4t wrote:Thanks for the tips! Have you found Elements to work well "on top" of DP's pitch correction similar to AutoTune? Thank you ![]() Sound quality seems similar, so it is a matter of $$$ vs Functionality. That said, if one doesn't own either plug in, the choice might be a tossup. As such, I have not invested in Melodyne. To me, a person who has owned AT from its early, pre-Melodyne, days, the additional functionality I would use in Melodyne is largely duplicated in DP's built-in pitch tools. copy lead vocal track, tune the copy with AT and, instant tight double. This has proven to be the fastest way to create a passable track in dire situations.ĪT is handy for doubling. In the case of particularly pitch-challenged vocalists, I will use DP's pitch layer to get notes that are really out of tune close enough for AT to properly correct them. Other than key, the most important parameter is attack time, slower for transparent tuning, faster when used as an effect.ĭPs built-in pitch tools are awesome, but I use Auto Tune in Automatic Mode for quick and dirty pitch correction. I find AT a handy tool to have in the quiver.
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